Now in its twelfth edition, Auditing continues to live up to its reputation for being comprehensive, yet accessible. It has been thoroughly updated to reflect recent changes in international standards, audit reporting and governance. With engaging real-world examples and a new chapter on public auditing, this edition is a must-have for anyone studying auditing at undergraduate or postgraduate level and for those preparing for professional examinations set by accounting bodies such as ACCA and CIMA.

Your favorite Neopets—now on a full deck of traditional tarot cards. This tarot deck features an all-new box and card layout with a Faerieland theme, so you can channel faeries like Jhudora, Illusen, and Fyora for guidance. With an illustrated guidebook to help you interpret your cards, this officially licensed Neopets deck will inspire you to reflect on life and its many quests. Impress your friends and family with your fortune-telling skills. This officially licensed Neopets tarot deck features 78 of your favorite characters from Neopia, as well as a guidebook to help you thoughtfully interpret your cards. Each illustrated card combination will offer guidance, insight, and reflection with the help of the Neopets faeries. The deck contains all of the traditional major (22 cards) and minor (56 cards) arcana. It can be read as you would a Rider-Waite deck. Neopets: The Official Tarot Deck is perfect for returning fans and neo-stalgic players. Originally published by Geekify, this new variant of the Neopets tarot deck focuses on Faerieland and its faeries, with an all-new box design and card backing by artist Aimee Scholz that's exclusive to this edition.  Contains: Sturdy and giftable box  Illustrated guidebook 78 full-color tarot cards This is officially licensed merchandise from Neopets / Jumpstart Neopets © 1999-2024. All Rights Reserved.

A captivating and wide-ranging interpretation of accidental dismounting.   In Pascal Quignard’s writing, philology hunts for wild game in a dark forest. The Unsaddled, which features horses as its central figure, is no exception. Taking off from puns, multifarious imagery, and metaphorical meanings—“to be baffled,� “to be thrown�—that the book’s title provides, Quignard focuses on life-changing moments. We meet George Sand (whose father died after being thrown from his horse), Saint Paul, Abelard, Agrippa d’Aubigné, and countless other writers, philosophers, theologians, or kings who fell off their horses—not to forget Jean-Jacques Rousseau, who was knocked over by a dog. Being “unsaddled� can also be associated, as Quignard shows in regard to Nietzsche, with an “overturning� of values. Scenes of war, hunting, “fleeing� or sexuality—“When lovers have a horse ride, they gallop in another world�—come before our eyes, each time from those unsettling vantage points that Quignard knows how to find. As ever, he ranges far and wide in his intense quest, taking examples from across human history, from the neolithic age to his own childhood memories of postwar Le Havre in northern France.  

Their names are iconic: Eugene O’Neill, Willem de Kooning, Josef and Anni Albers, Emma Goldman, Mary McCarthy, Edward Hopper, Walter Gropius—the list goes on and on. Scorning the devastation that industrialization had wrought on the nation’s workforce and culture in the early decades of the twentieth century, they gathered in the streets of Greenwich Village and on the beachfronts of Cape Cod. They began as progressives but soon turned to socialism, then communism. They founded theatres, periodicals, and art schools. They formed editorial boards that met in beach shacks and performed radical new plays in a shanty on the docks, where they could see the ocean through cracks in the floor. They welcomed the tremendous wave of talent fleeing Europe in the 1930s. At the end of their era, in the 1960s, as the post-war economy boomed, they took shelter in liberalism when the anti-capitalist movement fragmented into other causes. John Taylor “Ike� Williams, who married into the Cape’s artistic world and has spent half a century talking about and walking along its shores with these cultural and political luminaries, renders the twisting lives and careers of a generation of staggering American thinkers and creators. The Shores of Bohemia records a great set of shifts in American culture and the ideas and arguments fuelled by drink, infidelity, and competition that made for a fifty-year conversation among intellectual leaders and creative revolutionaries. Together they found a community as they created some of the great works of the American Century. This is their story. Welcome to the party!

John Taylor's brilliant new book examines the work of many of the major poets who have deeply marked modern and contemporary European literature. Venturing far and wide from the France in which he has lived since the late 1970s, the polyglot writer-critic not only delves into the more widely translated literatures of Italy, Greece, Germany, and Austria, but also discovers impressive and overlooked work in Slovenia, Bosnia, Hungary, Finland, Norway, and the Netherlands in this book that ranges over nearly all of Europe, including Russia.

While providing this stimulating and far-ranging critical panorama, Taylor brings to light key themes of European writing: the depth of everyday life, the quest of the thing-in-itself, metaphysical aspiration and anxiety, the dialectics of negativity and affirmation, subjectivity and self-effacement, and uprootedness as a category that is as ontological as it is geographical, historical, political, or cultural. The book pays careful attention to the intersection of writing and history (or politics), as several poets featured here have faced the Second World War, the Holocaust, Communism, the fall of Communism, or the war in the former Yugoslavia.

Taylor gives the work of renowned, upcoming, and still little-known poets a thorough look, all the while scrutinizing recent translations of their verse. He highlights several poets who are also masters of the prose poem. He includes a few novelists who have fashioned a particularly original kind of poetic prose, that stylistic category that has proved so difficult for critics to define. "Into the Heart of European Poetry" should be of immediate interest to any reader curious about the aesthetic and philosophical ideas underlying major trends of contemporary European writing. In a day and age when much too little is translated and thus known about foreign literature, and when Europeans themselves are pondering the common denominators of their own culture, this book is as indispensable as it is engaging.

Discrete Mathematics for New Technology has been designed to cover the core mathematics requirement for undergraduate computer science students in the UK and the USA. This has been approached in a comprehensive way whilst maintaining an easy to follow progression from the basic mathematical concepts covered by the GCSE in the UK and by high-school algebra in the USA, to the more sophisticated mathematical concepts examined in the latter stages of the book. The rigorous treatment of theory is punctuated by frequent use of pertinent examples. This is then reinforced with exercises to allow the reader to achieve a "feel" for the subject at hand. Hints and solutions are provided for these brain-teasers at the end of the book. Although aimed primarily at computer science students, the structured development of the mathematics enables this text to be used by undergraduate mathematicians, scientists and others who require an understanding of discrete mathematics. The topics covered include: logic and the nature of mathematical proof set theory, relations and functions, matrices and systems of linear equations, algebraic structures, Boolean algebras and a thorough treatise on graph theory. The authors have extensive experience of teaching undergraduate mathematics at colleges and universities in the British and American systems. They have developed and taught courses for a varied of non-specialists and have established reputations for presenting rigorous mathematical concepts in a manner which is accessible to this audience. Their current research interests lie in the fields of algebra, topology and mathematics education. Discrete Mathematics for New Technology is therefore a rare thing; areadable, friendly textbook designed for non-mathematicians, presenting material which is at the foundations of mathematics itself. It is essential reading.

A deeply contemplative work devoted to thinking from one of the foremost literary figures of contemporary France. Dying of Thinking is the ninth volume of Pascal Quignard’s Last Kingdom series. It explores three themes: how thought and death coincide, how thought is close to melancholy, and how thought takes shelter near traumatism. One who thinks, Quignard shows us, “compensates� for a very ancient abandonment. Even as a dream is a meaning whose disorderly, condensed, paradoxical images intuit something which has preceded sleep and which returns in them, thought is a meaning which uses words that are written, re-transcribed, dissected, etymologized and neologized. Throughout the Last Kingdom series, Quignard has sought to experience another way of thinking, one that has nothing to do with philosophy, a way of attaching himself “literally� to texts and of progressing by decomposing the imagery of dreams. Dying of Thinking is the heart of this quest.  

What makes news patriotic? How is photojournalism used in wartime? In a national crisis, the press operates under various forms of censorship. Within these constraints, it continues to produce news in line with what is considered newsworthy. Everyday 'human interest' photographs and stories, which tell of bizarre, comic or tragic events, are turned to patriotic ends. The subject of death is transformed by its use in saving the nation; it is accompanied and displaced by more comforting ideas. Originally published in 1991, with the help of full-page illustrations from newspapers and journals, John Taylor looks at the special truth of war news, how it is built on established ways of storytelling, and how photography is used to make it seem real. Taking examples from the First and Second World Wars, the Falklands campaign and present-day accounts of terrorism and crime within the United Kingdom, Taylor shows that aside from legal controls, the press's own methods bring it close to the official perspective. Drawing on history, sociology and photo-history, War Photography is a well-illustrated account of the place of photojournalism in the news industry and the use of news in creating national identity.

The last works of the last great classic European poet now available in English. In his 96th and final year, and with the help of the poet Jose-Flore Tappy, celebrated Swiss poet Philippe Jaccottet finished two manuscripts-in-progress, one in prose and one in poetry, both of which are presented in this volume in John Taylor's sensitive translation. The first work, "La Clarte Notre-Dame," takes off from the "pure, weightless, fragile, yet crystal-clear tinkling" of a monastery bell heard during a walk with friends. With this thought-provoking sound as a leitmotiv, Jaccottet looks back on a life of writing, reading, and scrutinizing humankind's existential and spiritual aspirations. He sets these concerns against his equally lifelong preoccupation with "the rise of evil in today's world," notably in Syria. Composed in a baroque style, the verse poems collected in "The Last Book of Madrigals" explore love. Jaccottet returns in spirit to Italy, the country which for him symbolizes happiness and sensuality. As he evokes amorous attraction, he conjures up Monteverdi's madrigals, one of Dante's little-known rhymes, and Giuseppe Ungaretti's last poem. Reinventing and commenting on these works, Jaccottet meditates on old age, approaching death, despair, and the persistence of love. Together, both works grapple with devastating darkness, but as Tappy observes in her afterword, however, Jaccottet's "greatest force" was "his perpetually renewed desire, during the most terrifying night, to head for the light."

A companion to Bloomsbury's popular two-volume Greek to GCSE, this is the first course for Latin students that directly reflects the curriculum in a clear, concise and accessible way. Enhanced by colour artwork and text features, the books support the new OCR specification for Latin (first teaching 2016) as well as meeting the needs of later students, both at university and beyond. Written by two experienced school teachers, one also an examiner, the course is based on a keen understanding of what pupils find difficult, concentrating on the essentials and on the explanation of principles in both accidence and syntax: minor irregularities are postponed and subordinated so that the need for rote learning is reduced. User-friendly, it also gives pupils a firm foundation for further study. Part 1 covers the basics and is self-contained, with its own reference section. It outlines the main declensions, a range of active tenses and a vocabulary of 275 Latin words to be learned. Pupil confidence is built up by constant consolidation of the material covered. After the preliminaries, each chapter concentrates on stories with one source or subject: the Fall of Troy, the journeys of Aeneas, the founding of Rome and the early kings, providing an excellent introduction to Roman culture alongside the language study.

The OCR-endorsed publication from Bloomsbury for the Greek AS and A-Level set text prescriptions for examination in 2017-2019, giving full Greek text, commentary and vocabulary and a detailed introduction for each text that also covers the prescription to be read in English for A Level. The texts covered are: AS Thucydides, Histories, Book IV: 11-14, 21-23, 26-28 Plato, Apology, 18a7 to 24b2 Homer, Odyssey X: 144-399 Sophocles, Antigone, lines 1-99, 497-525, 531-581, 891-928 A-level Thucydides, Histories, Book IV: 29-40 Plato, Apology, 35e-end Xenophon, Memorabilia, Book 1.II.12 to 1.II.38 Homer, Odyssey IX: 231-460 Sophocles, Antigone, lines 162-222, 248-331, 441-496, 998-1032 Aristophanes, Acharnians, 1-203, 366-392

Reading Homer presents two highlights of the Iliad: Book 16, where Patroclus fights and dies, and Book 18, where Achilles grieves for him and is awarded new armour before he returns to battle. It enables students who have been learning Greek for perhaps a year to approach Homer for the first time, and to have the satisfaction of reading two whole books in the original language. Full and detailed help is given with vocabulary, accidence and syntax. Homeric forms are introduced and set alongside Attic ones, enabling students to consolidate their existing knowledge at the same time as extending it. The Introduction and notes enable students to see these two books in the context of the whole epic, and the epic itself in the context of early Greek society. They also encourage students to consider why the Greeks themselves regarded Homer as the master poet.

Praised for his independence, curiosity, intimate knowledge of French literature, and sharp reader's eye, John Taylor is a writer-critic who is naturally skeptical of literary fashions, overnight reputations, and readymade academic categories. Here he examines various genres of politically committed literature (such as Jean Hatzfeld's "narratives" about Rwanda or Tchicaya U Tam'si's verse), some overlooked fiction, and several provocative experiments with literary form (ranging from the poetry of Jean-Paul Michel and Marie etienne to the "three-line novels" of Felix Feneon). Taylor continues to reveal the remarkable resourcefulness of French writing. Besides drawing attention to authors (like Dai Sijie or Albert Cossery) who have come to French from other languages, he has added younger novelists to his critical panorama. Challenging persistent cliches and recovering deserving voices from unjust neglect, Taylor's vision of French literature conjures up the image of a vital nexus. Poetry crisscrosses with prose, writers from one generation meet up with those from the next or the previous one, while the philosophical ideas underlying French writing are scrutinized. This is an essential guide to the realities of French culture today.

In this this 1950 republished edition, Taylor discusses the political energy and change in America in 1814. Dedicating chapters to the funding, banking, whilst also giving historical insight to the founding of the government system in the America. Taylor furthermore draws light on the positive and negative implications of the United States Government in 1814.

What makes news patriotic? How is photojournalism used in wartime? In a national crisis, the press operates under various forms of censorship. Within these constraints, it continues to produce news in line with what is considered newsworthy. Everyday 'human interest' photographs and stories, which tell of bizarre, comic or tragic events, are turned to patriotic ends. The subject of death is transformed by its use in saving the nation; it is accompanied and displaced by more comforting ideas. Originally published in 1991, with the help of full-page illustrations from newspapers and journals, John Taylor looks at the special truth of war news, how it is built on established ways of storytelling, and how photography is used to make it seem real. Taking examples from the First and Second World Wars, the Falklands campaign and present-day accounts of terrorism and crime within the United Kingdom, Taylor shows that aside from legal controls, the press's own methods bring it close to the official perspective. Drawing on history, sociology and photo-history, War Photography is a well-illustrated account of the place of photojournalism in the news industry and the use of news in creating national identity.

Move on Maths offers versatile, tried and tested maths resources for nine to eleven years for you to use in the way that is most suitable for your pupils. The units give you flexible ideas, rather then prescriptive lessons and support the Renewed Primary Framework for mathematics. The PNS Framework objectives are clearly shown for every sheet, followed by unit learning outcomes, so it s easy to choose the right worksheet to suit you and your children s needs.

• contains more than fifty stand-alone photocopiable units in four strands to be used in class or as homework tasks, complete with teachers' notes and answers to help your planning
• broadens understanding of four key numeracy strands from the Renewed Primary Framework: Using and applying mathematics; Understanding Shape; Measuring; Handling Data
• contains a bank of short, sharp exercises, problems and fun starter activities and games to kick start your maths lesson with the whole class
• includes challenges to extend your gifted and talented learners or early finishers
• covers PNS Framework objectives and learning outcomes for a two year span, Year 5 and 6
• ideal for mixed-age classes.

John Taylor jumpstarts pupil and teacher enthusiasm for ICT learning with this refreshing range of simple to use activities, games and creative lesson starters. Encouraging and developing creative uses of basic ICT software, Jumpstart ICT widens teachers' horizons, bringing ICT to the fore as an exciting resource and classroom tool. Key aims of the book include: making learning ICT techniques fun for both teacher and pupil developing the ICT confidence of non-specialist teachers providing opportunities for non-specialist teachers to learn and demonstrate specific techniques encouraging pupils to creatively explore ways to achieve tasks giving pupils opportunities to apply their learning of techniques through task races. @text:Aimed at all KS2 teachers and KS3 ICT teachers seeking to refresh their ICT teaching, these quick 'starter' activities will provide variety and challenge to a typical ICT lesson.